Lady Caroline described The Drawing Room as “noble” and that aristocratic adjective still applies today. The magnificent restoration of the ceiling, with its gold leaf and original plaster details of clustered shamrocks, casts a glow of opulence over the space. The room’s furnishings are an echo of this luminous presence: woven pale vanilla fabric on the walls, armchairs in soft warm shades of gold, and bespoke draperies adapted from an archived 18th century French brocatelle, re-woven for Adare Manor on traditional looms.
The Drawing Room is graced by the work of two historically important architects. The stamp of Philip Charles Hardwick in evident in the grand bay windows, which bathe the room in natural light. Framed by those same windows are gorgeous views of the formal Parterre Gardens, painstakingly designed by Hardwick and the 3rd Earl of Dunraven over the course of several years. Hardwick also contributed one of the imposing fireplaces in the room, adorned with carved crocodiles, a pegasus, and a wolf’s head, among other emblems of the Quin family. The other grand fireplace, carved in Melograno marble, is the work of architectural genius Augustus Pugin, and exhibits his romantic interpretations of heraldic design. The piece features many masterful carvings, particularly of gently twisting oak leaves and acorns: a reference to Adare whose Irish name Áth Dara means “the ford of the oak tree.”